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                  silent partner. The dry dock was eventually sold to Robert Gillespie Reid* as part of the 1898 railway contract. A. D. Brown
                  (London), 13 (1989): 79–94. D. [R.] Reid, “Our own country Canada”: being an account of the national aspirations of the principal landscape artists in Montreal and Toronto, 1860–1890
                  railway contract with Robert Gillespie Reid*. Winter and Morine were both closely connected to the Reid interest: Winter had been Reid’s
                   
                  . In 1911 Ritchie took his family to Vancouver, where he joined the prominent firm of Bowser, Reid, and Wallbridge. Family tradition has it that money was a major factor in the move. The explosive growth
                  . 18 Aug. 1859 in Hamilton, Upper Canada, Barbara Maria Reid of Edinburgh, and they had one son; d. 27 Sept. 1915 in
                   
                  western Canada (Langley, B.C., 1977). J. P. Reid, “Principles of vengeance: fur trappers, Indians, and retaliation for homicide in the transboundary North American west,” Western Hist
                  government of Newfoundland and was thereby committed to financing the Reid Newfoundland Company [see Sir Robert Gillespie Reid
                  . For the next five years he worked for a variety of photo-engraving companies, including Legg Brothers of Toronto, possibly Reid Press of Hamilton, and, as of 1907 or 1908, Grip Limited in Toronto. As
                  Richard Reid Dobell*, the prime mover behind the establishment of a transatlantic steamship line. Like most of the city’s younger generation
                  Indian portraits of Edmund Morris,” Beaver, outfit 310 (1979–80), no.1: 34–41. N. [McF.] MacTavish, Ars longa (Toronto, 1938). D. [R.] Reid, A concise history of
                  Crowe*, a Canadian with lumber interests in Newfoundland, and backed by Robert Gillespie Reid*, who was a friend and banker of Sir
                  Reid* received the contract for the stonework and piers for the CPR’s Lachine Bridge near Montreal. Side by side with steel rails went
                   years, as well as for its stylistic and narrative innovation which expanded Haida style beyond its traditional boundaries. His work continues to inspire Haida artists, including William Ronald (Bill) Reid
                  beginning,” in The Atlantic region to confederation, ed. P. A. Buckner and John Reid (Toronto and Fredericton, 1994), 360–86; “The 1870s: political integration,” in The Atlantic provinces in
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