DCB/DBC Mobile beta
+

As part of the funding agreement between the Dictionary of Canadian Biography and the Canadian Museum of History, we invite readers to take part in a short survey.

I’ll take the survey now.

Remind me later.

Don’t show me this message again.

I have already taken the questionnaire

DCB/DBC News

New Biographies

Minor Corrections

Biography of the Day

ROBINSON, ELIZA ARDEN – Volume XIII (1901-1910)

d. in Victoria 19 March 1906

Confederation

Responsible Government

Sir John A. Macdonald

From the Red River Settlement to Manitoba (1812–70)

Sir Wilfrid Laurier

Sir George-Étienne Cartier

Sports

The Fenians

Women in the DCB/DBC

The Charlottetown and Quebec Conferences of 1864

Introductory Essays of the DCB/DBC

The Acadians

For Educators

The War of 1812 

Canada’s Wartime Prime Ministers

The First World War

MORRIS, MARIA FRANCES ANN (Miller), teacher, artist, and poet; b. in Halifax, N.S., 12 Feb. 1813, daughter of Captain Guy Morris and Sibylla Amelia Maria Sophia Leggett, and descendant of Charles Morris*, chief surveyor of land and second chief justice of the Nova Scotia Supreme Court; d. in Halifax, 28 Oct. 1875. On 7 July 1840 she married Garret Trafalgar Nelson Miller of La Have by whom she had several children.

Maria Frances Ann Morris received much of her training in art from W. H. Jones, an American who was teaching at Dalhousie College and giving lessons in Halifax, and from Professor L’Estrange, an English artist teaching in Halifax. About 1828 she painted Mount Uniacke; the picture is now owned by the Public Archives of Nova Scotia. During the early 1830s, at intervals between her studies, Miss Morris opened and closed three schools in Halifax for teaching drawing and painting to young ladies.

Encouraged by Titus Smith*, a talented local botanist, Maria Morris began to paint the wild flowers of her native land. In 1839 she announced the proposed publication of Wildflowers of Nova Scotia to be sold by subscription. A total of four series appeared comprising 99 sheets and representing 146 species; the third of the series was titled Wild flowers of Nova Scotia and New Brunswick and the fourth, Wildflowers of British North America. Specimens of her work, sent to London in 1862, arrived too late for the International Exhibition, but were praised by the London press. A collection of the paintings was shown at the universal exposition in Paris in 1867. Maria Morris was the finest artist among a group of Maritime ladies who made floral painting into a 19th-century phenomenon in the area. Wild flowers of Nova Scotia is a pleasing and valuable contribution not only to floral art but also to the study of botanical science.

Maria Morris’ talent was not limited to painting, nor was she the only member of her family to possess creative ability. In 1856 she and her sister Catherine published a volume of poetry, Metrical musings, in New York.

Charles Bruce Fergusson

[Maria Morris, Wildflowers of Nova Scotia. Parts i and ii of the first series appeared in 1839–40 under the patronage of Sir Colin Campbell* with descriptive texts by Titus Smith, lithographed and coloured in London, and published by C. H. Belcher, Halifax, and John Snow, London. A second series, under the patronage of Sir John Gaspard Le Marchant, with text by Dr Alexander Forrester*, and published by A. and W. Mackinlay, Halifax, and John Snow, London, appeared in 1853. A third series, under the patronage of Sir William Fenwick Williams*, with text by Professor George Lawson*, and published by M. L. Katzman, Halifax, and John Snow, London, was issued in 1866. The fourth series, again under Lieutenant Governor Williams’ patronage, and with text by Professor Lawson, was published by Reeve and Co., London, in 1867.  c.b.f.]

PANS, “Collection of genealogies of Nova Scotian families (Cumberland County),” compiled by T. H. Lodge, 1954. St Paul’s Church (Halifax, N.S.), Records. Acadian Recorder (Halifax), 11 July 1840, 30 Oct. 1875, 10 Jan. 1920, 13 Oct. 1924. Christian Messenger (Halifax), 3 Nov. 1875. Colonial Churchman (Lunenburg, N.S.), 23 July 1840. Halifax Daily Reporter, 29 Oct. 1875. Novascotian (Halifax), 23 Sept. 1830; 13 Jan., 24 Nov. 1831; 20 July 1832; 22 Aug. 1833; 25 Dec. 1834; 15 Sept. 1836; 19 Jan. 1837. Times (Halifax), 15 Oct. 1839, 9 June 1840. Exposition Universelle de 1867, Catalogue of the Nova Scotian Department with introduction and appendices (Paris, 1867). W. G. Colgate, Canadian art, its origin and development (Toronto, 1943). W. B. Tucker, The romance of the Palatine Millers; a tale of Palatine Irish-Americans and United Empire Loyalists (Montreal, 1929). E. S. Nutt, “An incident in the golden age of fine art in Nova Scotia,” Nova Scotia Journal of Education, 4th ser., 111 (1932), 71–75. Harry Piers, “Artists in Nova Scotia,” N.S. Hist. Soc. Coll., XVIII (1914), 101–65.

General Bibliography

Cite This Article

Charles Bruce Fergusson, “MORRIS, MARIA FRANCES ANN,” in Dictionary of Canadian Biography, vol. 10, University of Toronto/Université Laval, 2003–, accessed March 19, 2024, http://www.biographi.ca/en/bio/morris_maria_frances_ann_10E.html.

The citation above shows the format for footnotes and endnotes according to the Chicago manual of style (16th edition). Information to be used in other citation formats:


Permalink:   http://www.biographi.ca/en/bio/morris_maria_frances_ann_10E.html
Author of Article:   Charles Bruce Fergusson
Title of Article:   MORRIS, MARIA FRANCES ANN
Publication Name:   Dictionary of Canadian Biography, vol. 10
Publisher:   University of Toronto/Université Laval
Year of publication:   1972
Year of revision:   1972
Access Date:   March 19, 2024